Restricted Viewing
The Motion Picture
Association of America (MPAA) is a powerful and much-maligned organization that
practices "voluntary" censorship on movies made and released in the
United States. Of course, it continually denies that it is involved in
censorship and claims only that it is performing a service to moviegoers -
particularly those with children. It provides guidance to parents about a
movie's content that is supposed to help them choose which ones are suitable for
exposure to their children. A rating caveat is assigned to every movie, from G
for "General" audiences, "all ages admitted", to NC-17 for
"no one 17 and under admitted".
Nowadays, movie
producers tolerate such blatant censorship for liability reasons: if a parent
tries to bring legal action against them because the content of a movie was
unsuitable for a child, a producer can always use the MPAA rating caveat in his
defense. The sheer paucity of films designed for adults cries out for a revamp
of this necklace of skeletons that hangs around the industry's neck.
Over the years, as
violence and sexuality have grown increasingly graphic in their representation
in movies, the MPAA has reserved its hardest ratings, "R" and
"NC-17" for movies that are - supposedly - off limits to
under-17-year-olds. While the majority of movies manage to land a PG or a PG-13
rating, even when, in some cases, they are extremely violent, many adults -
moviegoers and critics - have sought out movie material that is suitable for
grown-ups, that don't cater to a juvenile audience or to a juvenile mentality
or morality. Since most Hollywood products have the combined intelligence
quotient of a flea, this has often been a lonely hunt for grown-up moviegoers.
Since the majority of
the blockbuster movies in release are derived from comic books or their
euphemistic equivalent, "graphic novels," movie producers have tried
to tailor them to teenage audiences (even when so many comic book fans are old
enough to have teenaged children of their own), and have to persuade the MPAA
to refrain from applying a rating stronger than a PG-13. As anyone who watched
the mass shooting in Aurora, Colorado unfold on TV (I was able to do it from
the opposite side of the earth), The Dark Knight Rises, which was having
a midnight showing that night, was rated PG-13. It was so violent that, when
James Holmes entered the theater - filled with children and teenagers - firing
his weapons, most audience members believed it was a stunt staged for the
special screening.
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